For the Japanese, asymmetry, or unbalanced structure, is beautiful. A tearoom is a typical example of this way of thinking. Decoration is limited and rather simple. Simplicity is the essence—“without any decoration we can enjoy life”—that is the Japanese way.
At Kyoto’s Kodaiji Temple, we are told that in western culture augmentation is appreciated as a sign of success, while the Japanese aesthetic strives to eliminate unnecessary clutter, and in so doing, removes everyday burdens.
The tearoom is austere for the purpose of focusing, not on décor, but on “the moment”. There are a very limited number of things; and a limited number of decorations; so that what does exist truly catches our attention, like a singular simple plant, rather than a gorgeous bouquet.
When participating in the ceremony we are asked to suspend our questions and thoughts, because when we “think” about what we are doing, we lose presence and focus. We are asked, therefore, “to appreciate the moment and enjoy the experience”.